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Worshop and Report by Rebecca Hardy Griffith

Ysgol Y Hendre, Caernarfon

Chosen Artist: Andrew Smith

Pupils: Key Stage 2/Year 4

Quantity: 54

Accompanied: At various times one to three teaching assistants

 

I chose the artist Andrew Smith as he is based in Harlech in Gwynedd. I am familiar with his art practice, it is his use of vibrancy and pattern that would in my opinion create an engaging and interesting workshop for the pupils to respond and react to. It was not only his process of materials but also his subject matter within his work that would make a great open topic for the pupils to discuss. Therefore, it made the workshops an active but also verbal exercise for the pupils to stretch their creative minds physically and mentally.

 

The two day workshop was split into two sections, day one to focus on the chosen artist from the project, day two to focus on the project and the artist’s chosen artwork.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DAY ONE:

 

The structure of the sessions on day one was to introduce the project, the artist and the artists practice using drawing games, handouts, open class discussion, group activity, independent work and evaluation. After introducing the pupils to the project and announcing the artist name I decided to ease the pupils into the session with quick fun drawing games to remind them of the joy of free expression and not to be too precious about the finished drawing. It is also a great way to get their hand eye coordination into practice and to get them thinking quickly. From the excitement and buzz of the first game I introduce another activity of mark making, a simplified activity of word and action. We also discussed mark making and how it can be used in their artwork. It was great to see how quickly the pupils absorbed the information.

 

Next large sheets of A2 paper were placed on the tables, where pupils in pairs had to share the space on the paper being considerate and aware of each other’s drawings. The activities that were asked of the pupils were to draw something from the first game (act of memory), draw it again using your other hand (challenge), draw it again with your eyes closed (extra challenge) and finally the pupils were paired up. One pupil becomes the pencil holder while the other moved their partners hand around the paper to draw and then they exchanged roles. To close the drawing games I asked closed and open questions to the pupils about the activities, which game did they enjoy? And which activity challenged them? The class had to be prompted at the beginning to share their opinions, using the other hand or eyes closed seemed their most seemed a popular choice and pairing up seemed their most challenging activity which was similar to Ysgol y Graig.

 

I followed our discussion once the drawings and the materials were cleared with a recall question regarding the project. Asking them where did the North Wales artist travel to and which gallery did they visit? What was the name of the artist they were going to look at? Following this I introduced Andrew’s artwork through handouts and asked the pupils to look at the artwork for a few minutes. We then discussed per group/table what materials Andrew used to paint and paint on, we also discussed his mural work and the interesting and odd shapes of his canvases. On reflection it was a mixed response with the open and closed questions, prompting some students while others were more forward in responding. All though Andrew’s subject matter of colour theory and abstract form might have been harder for the pupils to understand as they are a year younger than the other groups they grasped his sense of bright colours and shapes.

 

To help them focus and give them a starting point we discussed the patterns and forms we could see within Andrew’s paintings for example a few saw hands, stars etc. I gave the pupils handouts with a variety of geometric forms and shapes to assist them with the next activity using graph paper to create their own forms and shapes. I then placed them in seven small groups and asked them to work together on one large piece of graph paper, to collaborate and listen to each other. Majority of the groups had some form of issue working together perhaps due to their age as they were a year younger than the previous schools however it was great seeing some team work occurring may it be only a little.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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DAY TWO:

 

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I shared with the class handouts with the colour wheel and colour theory, together we discussed the primary, secondary, contrasting colours and how they could put this theory into practice with the next activity. Using oil pastels the pupils had the freedom to create a drawing based on Andrew’s artwork, the response was fantastic all though at the beginning some pupils found it hard to make their own choices and decisions. They constantly needed to be reassured they were doing the right thing or be given permission to follow their idea. But the work was a complete mixture of vibrant, energetic, loose, well thought out, spontaneous, explosion of forms, shapes and patterns.

Today’s session with the class was focussed on Andrew’s selected artwork from the National Museum Cardiff art collection and his early sketches and paintings in the project. I began once again with some recall questions regarding the project and Andrew, the pupils gave excellent answers. Before introducing them to the chosen painting I decided to repeat the process from day one and play a few drawing games with the pupils to get them ready for the day ahead. These games develop their hand eye coordination, listening and group skills plus it gives them great enjoyment.

 

I gave the pupils handouts of the painting Andrew chose which was Thomas Jones ‘Buildings in Naples with the North-East side of the Castle Nuovo’ (1782) asking the pupils in pairs to discuss together what they liked and dislike about the painting and why? The class wasn’t very responsive regarding the painting; many weren’t expecting Andrew to choose in their words a old painting. I chose to focus on the patterns and shape the painting created like the arch and rectangles from the building and how Andrew would have been intrigued by this. We discussed which year they thought the painting was created and were shocked when I told them it was over 200 years old. The pupils were asked then to create a sketch based on the drawing, either a section they liked or the whole painting, I gave them examples of Andrew’s initial sketches of the painting as inspiration too.

Following the sketches I gave each table paper card in three colours for them to create a collage using the sketch they had just drawn as inspiration, asking them to look at the shapes in the painting again. I continued with the collage work till lunch with the second activity using tissue paper and giving the pupils more creative freedom but still based the idea on colour and pattern, the results were beautiful. 

The afternoon activities focused on the use of acrylic paint, giving the pupils free rein on the creativity and allowing them to make their own choices and decisions. They displayed thoughtful and careful consideration to the working out of the composition in pencil and towards adding the paint.  I had also mentioned that Andrew was popping in on the afternoon’s session to observe the last hour; this enthralled the pupils and animated them into working even harder. Once Andrew arrived they were very excited and had lots of questions to ask him, one boy wanted his autograph!

To close the sessions I run a quick recall asking questions about the project and reminding them about the exhibition which will include some of the work created over the two days.

To close the sessions I run a quick recall asking questions about the project and reminding them about the exhibition which will include some of the work created over the two days. 

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